杀手·婚礼之路

　　歌舞伎世家音羽屋第六代传人尾上菊之助（花柳章太郎 饰）苦恼万分，父亲菊五郎（河原崎権十郎 饰）对他的演艺功底大为不满，耻于称其为自己的传人；师兄弟和观众们也对他的评价颇差。然而这些人又都当面奉承，虚情假意。周围只有女佣阿德（森赫子 饰）敢于当面指出菊之助的不足，并真心希望他的表演能不断精进。阿德的诚实令菊之助大为感动，心中视其为难得的知己。
　　但他们的友情却遭到身边人的猜疑，阿德被辞退回家。伤心的菊之助四处寻找，并决心不顾世俗的眼光娶阿德为妻……
　　本片根据村松梢风同名小说改编，1939年电影旬报年度十佳评选第二名。

　　爱德华（伊万·麦克格雷格 Ewan McGregor 饰）生性热爱自由，成年之后，他选择离开家乡，踏上了环游世界的旅程。一路上，爱德华遇见了各种各样稀奇古怪的角色，经历了无数精彩绝伦的的冒险，而他日后最大的兴趣，就是向他人喋喋不休的重复讲述他的这一段奇幻旅程。
　　威尔（比利·克鲁德普 Billy Crudup 饰）是爱德华的儿子，他并不相信父亲所讲述的那些光怪陆离的故事，甚至对此感到无比厌烦。婚后，他同父亲中断了联系，一晃眼就是数年过去。当再次得到爱德华的消息之时，威尔才知道父亲即将不久于人世，他决定去见爱德华最后一面。然而，这一次，威尔终于发现了隐藏在这些故事背后的奥秘和真相。

　　东北某发电厂工人周明英，在党的领导下，团结工人同志们，克服一切困难，发挥高度的创造性，揭露敌人的阴谋破坏，把遭受国民党破坏的发电机很快地修复起来，保证了电力供应。

　　故事发生在日本的战国时期，武士井尻又兵卫（草剪刚 饰）和春日国公主廉姬（新桓结衣 饰）深深相爱，但无奈两人所处阶级相去甚远，他们只得将爱意深深的藏在心底。一次偶然中，又兵卫结识了名叫真一（武井证 饰）的少年，让又兵卫感到吃惊的是，真一告诉他自己来自未来。受廉姬所托，又兵卫成为了真一的监护人，而春姬即将与大国大名大仓井高虎（大泽隆夫 饰）政治联姻。
　　镜头转回现代，真一的失踪让身为父母的晓（简井道隆 饰）和美佐子（夏川结衣 饰）十分焦急，追寻着真一留下的线索，晓和美佐子也穿越回了古代，在那里，他们找到了真一，一家三口成为了春日城的座上客。

　　讲述一个女孩在姐姐去世后重新面对生活与爱情的故事

　　讲述的是日本战败投降后，上海日本守军妄图在撤退之前用数千吨TNT炸药摧毁上海。以华克之为原型的特科英雄华龙之带领一众地下党员，付出了沉重的牺牲和代价，最终瓦解了日本人的阴谋，守护了上海。1945年，日本投降之时，上海作为日本的最后据点，储存着数量庞大的军火。此时的新四军装备老化，缺乏弹药，急需一批军火，华克之邀请郑德升帮忙协助。华克之在上海土生土长，为人八面玲珑，英语非常流利。交际能力很强的他，很快便和某军火仓库的唯一负责人——日本海军陆战队少将冈田搞好了关系。
　　郑德升会见冈田，编造出一个国民党中将，声称可以保护冈田，但需要他提供军火以表投诚之心。中将的扮演者正是华克之。就这样，华克之和郑德升成功获取了一批威力强大的TNT炸药以及194挺机枪，经由地下交通线运到新四军手中……

　　平民家庭的托托（Thomas Godet 饰）与隔壁富人家庭的阿尔弗雷德（Hugo Harold Harrison 饰）在同一家医院同一天内出生。托托坚信，因为医院的一场大火，导致他们两个婴儿被父母抱错。本该属于他的优渥生活被阿尔弗雷德夺去，当然，每当他提及此事时不免遭受阿尔弗雷德的一顿老拳。随着父亲的意外去世，托托对阿尔弗雷德一家的嫉恨逐渐加深。憎恨并未令他得到满足与补偿，反而使他的一生永远笼罩在阴影之中……
　　本片荣获1991年戛纳电影节青年奖最佳外语片奖、1992年法国凯撒奖最佳外语片奖、1991年欧洲电影节最佳男主角（Michel Bouquet），最佳摄影，最佳剧本和青年电影奖、1992年葡萄牙奇幻国际电影节最佳影片和最佳剧本。

　　原作出自柊葵的同名漫画，曾由吉卜力改编动画电影，本片在原作基础上增加了后续原创剧情；
　　该电影虽为原创性的故事，忠实地再现了原作的世界观，讲述了原作里的故事过去10年之后，变成大人的“雫”和“圣司”。经过10年的岁月，梦想成为小说家的雫（清野菜名 饰）变成了出版社的儿童小说编辑，放弃了梦想的她和在海外继续追逐梦想的圣司（松坂桃李 饰）开始渐行渐远，雫开始努力找回当年两人互相鼓励、一起向前的初心。

　　由加籍印裔女导演迪帕．梅塔执导，曾获芝加哥国际影展奖。因内容表现在打破传统的 “性禁锢"方面，所以公映时竟触发狂潮，成为众矢之的，导演本人亦遭受恐吓。剧情介绍新德里一个年轻美貌姑娘嫁入中产店主家庭后，因丈夫沉缅于香港功夫，并迷恋于中国艳女而受到冷落。而不育的大嫂亦因丈夫参与 “灵修"倍感寂寞，两人同病相怜遂成闺中好友，并发展成床上鸳鸯。后来东窗事发，迫使两人离家出走。该片在印度来讲，内容较为惹火，但比起香港片，似乎仍显平谈，而且剧情颇为噱头，算不上佳作。不过对女性情欲描写极为细致，有一定的文艺剧情趣味。该片还入选香港 “印度多面睇"十大印度影片。
　　Ashok (Kulbhushan Kharbanda) runs a family business that sells takeout food and which also has a video rental store at the side. Ashok's extended family includes his wife Radha (Shabana Azmi), his brother Jatin (Javed Jaffrey), their ailing mother Biji (Kushal Rekhi) and their manservant Mundu (Ranjit Chowdhry), all living under the same roof. Jatin, at the insistence of Ashok and their mother, Biji, agrees to marry the beautiful Sita (Nandita Das) in an arranged marriage, although he is actually in love with Julie (Alice Poon), a Chinese-Indian. At first glance, you see a happy middle-class family going through the normal paces of everyday life. However, as the layers are slowly peeled back, we find a simmering cauldron of discontent within the family, with almost every family member living a lie. Both marriages in the family turn out to be emotionally empty, without love or passion. While Ashok is an ascetic who has taken a vow of celibacy, Jatin is a handsome ladies' man who is still openly seeing Julie even after his marriage to Sita. Ashok has pledged his total devotion to a religious holy man, a swami, in order to purge his life of worldly desires and temptations. Radha, bound by her sense of duty to her husband, agrees to go along with his wishes. As you can imagine, with both husbands ignoring their spouses' emotional and sexual needs (albeit with reasons that are totally opposite from each other), it is only a matter of time before Radha and Sita look to one another for comfort and to satisfy their own passions. In this environment, it is only natural that Sita and Radha become fast friends, and, in time, much more than that. But their love is not without its share of painful obstacles.

　　Set in Ålesund, A Human Position is a slow-paced film that unfolds in successive tableaux, to form a complete picture of the subtle changes and events that make up one's life. It explores the persistence of memory and trauma, the definition of one's moral values, and the possibility of joy.
　　Asta is a journalist in Ålesund who seems plunged in a melancholic state, for a reason we discover bit by bit. Her supportive girlfriend refurbishes design chairs and plays the keyboard, while their kitten wanders around the house. One day, Asta reads a story in a newspaper about an asylum-seeker who is being forcefully evicted from Norway after having lived and worked a decade in the country. Gradually, Asta becomes more involved in learning about the case, and she has to find her position - both in her work and in her personal life.
　　This beautifully-crafted film, bathed in soft colours, is a meticulous observation of Asta's life after an unnamed trauma, and as external events invite her to reconsider her own relationship to reality. One newspaper article she reads is entitled, "Confronting our social conscience", which is one of the topics of A Human Position. It's also a low-key love story, with its routines and ups-and-downs, which feels very real.

　　《血观音》描述在女人组成的棠府里，住着3位不同世代但一样懂人心的女性，由棠夫人（惠英红饰）主持大局，穿梭权贵间，靠着高超手腕与柔软身段，在复杂的政商关系中生存取利；个性如刺猬般的大女儿棠宁（吴可熙饰）为求母亲肯定，勉力配合；乖巧的小女儿棠真（文淇饰）多半静静观察，唯母命是从。直到某天，棠家亲密友人惨遭灭门事件爆发，三人各自被牵扯其中，一向以大局为重的棠夫人，为了守护一切，费尽心机，却让三人走向不同的命运。

　　一名大学教授的残忍谋杀案引发了学生骚乱，一位警察展开调查的同时一名律师在法庭上寻求正义。