故事紧接《人类清除计划3》。从贩毒集团手中脱逃的阿德拉与丈夫胡安自墨西哥来到美国得克萨斯州生活，后者在塔克家族的牧场工作。胡安深受塔克一家的族长，凯莱布的赏识，但这也让凯莱布之子迪伦心生妒忌。但在一年一度的“人类清除计划”过后的早上，一支地下组织意图将杀戮继续进行下去，让全美陷入狂乱之中。包括迪伦妻子和妹妹在内的塔克一家也遭受波及，迫使众人联合起来对付暴徒，并设法逃入开放边境仅有六小时的墨西哥。
安和汉娜为逃离灾难到了一个与世隔绝的荒凉小岛。在海滩边她们发现了一所废弃的房子。对于相爱的安和汉娜来说，距离既是一种必需，也是一种折磨。汉娜脆弱的身体状况也时不时提醒着两颗孤独的心。。。
British Army radiation drills at a remote Scottish base attract a subterranean, radioactive entity of unknown nature that vanishes, leaving two severely radiation-burned soldiers... and a "bottomless" crack in the earth. Others who meet the thing in the night suffer likewise, and with increasing severity; it seems to be able to "absorb" radiation from any source, growing bigger and bigger. What is it?? How do you destroy a thing that "feeds" on energy?
Post-nuclear-war dramas centering on a small group of survivors now constitute an entire genre in science-fiction films. All of them, in some way or another, can be traced back to this seminal film from 1951 in which five people deal with the possibility they are the only human beings left alive on the planet. While most of the later movies exploited this possibility for B-movie thrills, "Five" adopts a quiet, contemplative tone which some may find dull but which thoughtful viewers are more likely to find, for want of a better word, haunting. There is something about this movie which gets under the skin and which lurks in the corners of the mind long after it's over.
利亚姆从车祸中醒来，却不记得他是谁。当他走进小镇寻求帮助时，他发现只有死人，所有的人都有着奇怪苍白的眼睛。利亚姆的第一感应是，一种病毒出现在空气中。但他很快就发现了可怕的真相：“任何一个在离他50英尺半径范围内的人都会立刻死亡。”
该片为深夜书店系列电影第四部，讲述通过未来科技迷途知返的三个年轻人的励志故事。故事以深夜书店为引线，通过问题少年、被老板、网贷为切入点，体验身临其境的脑洞世界，营造“接地气”式的真实感，讲述了三个不同的爱情故事。
继上一次的怪兽高燃对战之后，金刚和哥斯拉将再度联手对抗一个潜伏在世界中的巨大威胁，并逐步探索这些巨兽们的起源以及骷髅岛等地的奥秘。同时，上古之战的面纱也将会被揭晓，而正是那场战斗创造出了这些超凡的生物，并深刻影响了人类世界的命运。
李维是基因公司D-TECH的技术工程师，致力于复活史前新物种的研究，一次例会上，李维大胆提出了新的研发思路，获得公司认可，获得阶段性的成功，却意外被公司排除在后续研发计划外。李维偷出公司研发中的迅猛龙蛋，李维多番了解，发现D-TECH已经复制了大量的迅猛龙蛋正在陆续孵化中。原来他们真正的目的是为国外某组织制造恐龙军团。李维与女友和助手决心破坏公司的计划，不料却被主管童明发现……
一个夜晚，一名孕妇正在妇产科的手术室里生产，忽然，天空中出现了一个放着奇异光辉的不明飞行物。飞行物一闪而过，手术室里的灯暗了一下，一个可爱的小生灵咕咕坠地了，那就是贝贝（张京 饰）。贝贝生来就和常人不一样，因为他的双手竟然带电和能随意操控电器！为了怕发生意外，贝贝的双手总是戴着手套，总是被大人关在家里。贝贝慢慢长大了，终于到了上学的年龄。学校里、生活中，贝贝带电的双手和他的超能力既带给了他很多欢乐，亦为他带来了不少烦恼……
很久很久以前，来自遥远星系的比克大魔王及其手下大猩猩来到地球为非作歹，无恶不作，令人民时刻被死亡的阴影所困扰。此后一群优秀的武术家研究出魔封波，将比克大魔王封印，世界重归光明。 当代美国某座城市，看似孱弱不堪的青年悟空（贾斯汀·查特文 Justin Chatwin 饰）自幼随爷爷悟饭（兰德尔·杜克·金 Randall Duk Kim 饰）学习武术，但是爷爷禁止他将一身功夫用于好勇斗狠上面，所以悟空在学校饱受欺负与嘲笑。在一个毫无征兆的日子里，比克大魔王（詹姆斯·马斯特斯 James Marsters 饰）意外复活，而悟饭则因此毙命。悲伤的悟空按照爷爷的嘱咐前去寻找龟仙人（周润发 饰）和七颗龙珠，以阻止比克的野心。有关地球命运的冒险由此展开……
莫妮卡·贝鲁奇加盟科幻恐怖片[尼可曼斯](Nekromancer，暂译)。影片由澳大利亚导演凯·瑞奇-特纳及凯兄弟两人执导。影片卡司还包括本·奥图尔([底特律])、泰丝·哈乌布里奇([机器之血])。该片由eOne联合Screen Australia、 Create NSW投资制作。影片今年于悉尼开拍，剧情未知。
一颗陨石坠落到亚利桑那州的荒漠中，在它撞击形成的溶洞内，一个与世隔绝的奇异世界正飞速形成。从单细胞到多细胞，从类鸟类到灵长类，外星生物已难以想象的速度高速进化，并开始影响人类的生存。 在大学任教的伊尔（David Duchovny 大卫•杜楚尼 饰）和同事兼好友哈里（Orlando Jones 奥兰多•琼斯 饰）最早发现了陨石所带来的外星生物痕迹，并意识到其高速进化背后的危险性。在隶属军方疾病控制中心的女官员艾丽森（Julianne Moore 朱丽安•摩尔 饰）的帮助下，他们偷偷搜集数据，寻找遏制外星生物入侵的办法……
Wunder der Schöpfung is an extraordinary, fascinating Kulturfilm trying to explain the whole human knowledge of the 1920s about the world and the universe. 15 special effects experts and 9 cameramen were involved in the production of this film which combines documentary scenes, historical documents, fiction elements, animation scenes and educational impact. It its beautifully colored, using tinting and toning in a very elaborated way. Some visual ideas in the sequences with a space shuttle visiting different planets in the universe seem to have to be the inspiration for Stanley Kubrick's 2001: A Space Odyssey. In the context of Germany's Kulturfilm phenomenon, Wunder der Schöpfung was among the greatest achievements of the 1920s. The production was constructed, rehearsed, and shot over a period of two and a half years, under the supervision of Hanns Walter Kornblum. The idea to describe the universe and man's place in it well suited UFA's Grossfilm mentality, one year before the Metropolis catastrophe. Hundreds of skilled craftsmen participated in the project, building props and constructing scale models drawn by 15 special effects draughtsmen, while 9 cameramen in separate units worked on the historical, documentary, fiction, animation, and science-fiction sequences. Without star roles or even protagonists, the film's plot is crowded with meticulously structured and skillfully acted single scenes an artful mosaic of small vignettes. No less than four credited university professors ensured the factual background behind the scientific and historical events portrayed. The film's symbol of progress and the new scientific era is a spacecraft, travelling through the Milky Way, making all the planets and their inspiring worlds familiar to us, with the extravaganza of their distinctive features. The film's educational intentions, however, become steadily more obscure, humorous, or even campy as this popularization project proceeds. With the excuse of presenting the end of the world a not-so-new concept as a new, undeniably scientific truth, the film veers happily along a new path, displaying detailed apocalyptic scenes of the end of mankind. For today's audiences, this amazing film demonstrates how the universe was comprehended in the 1920s, and how that view was sold to contemporary audiences.
