年会不能停！

　　6 out of 7 people found the following comment useful.
　　A brilliant and outragously funny satire of society, 7 December 1999
　　Author: Dave Joerg (joerd000@mail.zdv.uni-mainz.de)
　　"Flodder" is one of the funniest movies ever made and few people realise that it is a Dutch movie made by none other than the Holland version of John Carpenter, the famous Dick Maas, author and director of the thriller "Amsterdamned". The Flodder family is the reincarnation of the term a-social. When the whole family bunch, basically all bastards, criminals and sluts must be relocated from their City slum because of toxic waste under their house, the city council house no choice. The only available space is in the "Zoendal" - the "Sun Valley" the best area in Amsterdam where all doctors, snobs and businessmen can afford to live their lives. And where the central point of interest and politics is the tennis club of the community. The Flodder family brings devastation to the tranquil world that ruled before. They are simply unbelievable. The characterisation is incredibly funny, beginning with Ma Flodder who searches other people's trash cans for food or making illegal liquor in her cellar and ending with the eldest daughter who is the biggest slut on earth. Together they make the most horrible family imaginable, a sort of immoral mirror image to the Brady Bunch or the Waltons. When the City counsel of Amsterdam hoped that the Flodders would show their good will to be more civilised in their new area, it turns out that Holland's most famous family would rather bring out the worst in the rich people of "Sun Valley"-wonderland. The rest is a hilarious, brilliant and well made social satire that can be watched as a provocative movie as well as a straightforward comedy. Dick Maas at his best. I salute him! Flooder was the Dutch smash hit in 1986 and brought two sequels and a tv series. All of the sequels were nice but not as great as the original.
　　Flodders (1986) is available on DVD in Germany in a dubbed German version in Dolby Digital 5.1. under the name:
　　"Flodders -Eine Familie zum knutschen"
　　Why is First Floor Features, the producer of the movie not bringing the Dick Maas blockbusters out on DVD in the Netherlands, I wonder. The are not even available on video there. These movies have so much potential, still to this day and have a huge silent but true following.

　　著名导演贝特朗·博内洛Bertrand Bonello是个司汤达综合症的受害者，正筹划他的下一部电影。化蛹为蝶的变态渐进过程，作为一个梦常常萦绕在他的脑海，因为几记红印出现在他的后背。经艺术史家们的引导，使他开始了陌生研究和充满激情的讨论。他试图搜索不可思议的图像，作为他电影作品的一个个元素。

　　又到了毕业季，面对即将要失去“自由”的压力，秦正楠、冷峰、南宫建、郑浩宇这四位高富帅决定用一场游戏的方式来寻找生命中的真命天女，遭遇了不同的女孩，让这四位放荡不羁的浪子对爱情和人生有了新的认识，从幼稚的青涩走向了成熟。面对家族早已制定好的道路，他们不再无奈接受，而是勇敢追求自己的梦想，而与他们出身不同另一个星球的黄一凡的出现，也让他们的计划出现了变故……
　　这是一个非同一般的毕业季，勇敢寻求真爱有疼痛有真爱的蜕变之旅。

　　剧社职员阿信（陈友 饰）刚与妻子离婚不久，便与带略有神经质的女友百佳（梅艳芳 饰）开始了同居生活。新的生活让阿信感到十分惬意，但正当两人浓情蜜意的时候，之前搬了出去的前妻惠康（夏文汐 饰）因为生意失败走头无路，又搬了回来。一边是新的女友，一边是前妻，阿信感到尴尬不已却又无可奈何。同时，剧社台柱华仔（钟镇涛 饰）与惠康一见如故，相谈甚欢，不知为何阿信又大为紧张，就是这一屋两妻的生活上演了一幕幕闹剧。

　　一个“精神病人”如何在正常人的世界中生活？
　　王战团（葛优 饰），俗世里的一位奇人，偶尔疯癫，行为古怪，却有独一份的清醒。周正（王俊凯 饰），敏感沉默的少年人，因口吃自闭，却有无声的反骨。两个不合群的人，让一大家子头疼不已，闹剧不断……
　　本片改编自郑执创作的短篇小说《仙症》。

　　由于母亲的工作变动，刚刚升上高中的威尔·伯顿（盖南·科内尔 Gaelan Connell 饰）离开辛辛那提州，转学来到了新泽西的某个小镇的范·布伦高中。与那个充满着不安和压抑的初中时代有些不同，这里为热爱音乐的威尔带来全新的体验。该高中音乐氛围极浓，所有的学生都在为校内名为“乐团狂飙（Bandslam）”的至高荣誉而努力。威尔不仅找到了属于自己的天地，还结交了萨姆（瓦妮莎·安妮·哈金斯Vanessa Hudgens 饰）这个有些孤僻的女孩子。
　　偶然机会，极具创作和演唱天赋的美女夏洛特·班克萨克斯（艾莉森·米夏卡 Alyson Michalka 饰）邀请维尔加入自己的乐队，准备在新一届“乐团狂飙”上和前男友本（斯科特·波特 Scott Porter 饰）的乐队决一雌雄。威尔的全新生活就此展开……

　　人头攒动的东京秋叶原，是动漫、游戏迷心中的圣地。他们从四面八方云集于此，寻找心中的至爱。小眼镜男山田刚司（伊藤淳史 饰）是一个终日游荡在秋叶原的销售员，他性格内向，毫无主见，事业和爱情没有着落。当然，他的心中也有着心仪的对象，那就是经常会在电车上遇到的美人青山沙织（伊东美咲 饰）。某晚，一个醉汉（泉谷しげる 饰）大闹电车，甚至骚扰到青山小姐。山田鼓起勇气解围，青山分外感谢，日后更送他爱马仕的茶具作为感谢。
　　没有恋爱经验的山田面对爱人不知所措，他以电车男的网名登陆留言板，向陌生的好友们寻求帮助。大家纷纷出谋划策，共同帮助山田踏上追寻爱情的道路……

　　Classic British comedy adapted from a James Thurber story about a tweed manufacturer's elderly accountant who devises a plan to save the company from an American takeover bid. The arrival of an efficiency expert from the States causes enough of a stir but, when it turns out to be a woman, the old-fashioned number cruncher declares war. Man-eating businesswoman, Angela Barrows is sent by her US company to Edinburgh to investigate export opportunities. She meets businessman Robert MacPherson en route and he persuades her to help bring his company into the 20th century. The staff, lead by Mr. Martin, have other ideas and a battle between the old and new business methods breaks out.

　　单身离异农村出身的服装厂老板李家强被朋友张楠以投资名义骗取了百万资金，导致工厂面临倒闭。万般无奈之下，李家强找到了张楠的老家。虽说是个穷乡僻壤的小村庄，但却山青水秀。李家强找到了张楠的老母亲家，家里只剩疾病缠身的老人和被张楠抛弃的两母子。在这里李家强了解到了村里的小孩子们没学上，山上有好多的山货和中草药都是世面上销路很好还稀缺的。于是李家强卖了服装厂，给村里办了学校，让被张楠抛弃的妻子周敏婷处理学校的一些事物。李家强则带着村里的年轻人利用互联网开店，把村民们采的山货和中草药通过网上销售，带领大家致富，让村里一天天好起来，村民们的日子过的越来越红火。既让李家强在“追债”的路上找到了属于自己的感情归宿，又让他实现了第二次创业的成功。

　　秦小毫刚刚分手的前男友欠了她妈5000块钱，在母亲不停地逼迫下，秦小毫带着几个倒霉蛋踏上了要钱之旅。

　　戴维斯（塔拉吉·P·汉森 Taraji P. Henson 饰）是一位体育经纪人，要知道，在这个雄性荷尔蒙爆棚的行当里，一个女人想要往上爬有多么的不容易。戴维斯所遭遇的实际情况也的确如此，她每一次仅仅是因为自己的性别就遭到别人无端的猜疑和不信任时，她都会忍不住在内心里暗骂。
　　一次偶然中，戴维斯喝下了拥有魔法的茉莉花茶，获得了能够听到男人心声的超能力。刚开始，戴维斯震惊于男人内心所想的龌龊和呕心，但很快，她便发现，自己可以凭借着这一能力让自己的工作平步青云。戴维斯决定签下一个名叫贾马尔的篮球运动员，很显然他有着杰出的颠覆天赋，但也很显然，贾马尔的父亲并不信任眼前这个女人。

　　A quick glimpse at the cast for this film would make any horror fan giddy with glee. The actual movie doesn't live up to those high expectations, but it's far from being all bad. Desi Arnaz Jr. (!) plays an author who makes a crazy $20,000 bet with his publisher that he could write a great novel in only 24 hours. To do so, the publisher gives him the keys to an old abandoned house where he won't be disturbed. Not true. Once he gets there he is interrupted by a multitude of guests including a family which consists of John Carradine, Sheila Keith, Peter Cushing and Vincent Price. They are gathered there in a twisted family reunion to release their brother from the room he's been imprisoned in for forty years. Even Christopher Lee drops by as Corrigan, the man who has just purchased the house. Soon, they realize that the caged brother is loose and out for revenge.
　　What a great plotline and what a dream cast! This movie should have been a hell of a lot better. It's hard to pinpoint the exact problems with the film, but I would venture to say that the lack of lighting was a major fault. Sure the house has no electricity but I think they took the title of the movie a little too literally. Scenes after scenes are barely visible and the actors' faces are undecipherable. Only the moments in the main dinning hall are well lit. Also, the great actors are given very little to do. Cushing gets a few chuckles as the scared brother but Price, Lee and especially Carradine are somewhat wasted here. Well, at least Price gets the best line of the film: `Please don't interrupt me while I am soliloquizing.' And on the plus side, the story has enough twists and turns throughout to keep one`s interest and the ending, while a bit of a cop-out, manages to surprise.